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    Ariadne auf Naxos

    Richard Strauss

    OPERA / RICHARD STRAUSS / 21-22
    Katie Mitchell directs an opera that is as impertinent as it is irresistible
    22 SEP - 4 OCT
    With the support of
    MEDIA
    INFO

    1. Chapter 1: A glance to history
      Ariadne auf Naxos (21/22)
    2. CHAPTER 2
      Musical rehearsal
      Ariadne auf Naxos (21/22)
      Video
    3. CHAPTER 3
      Did you know?
      Ariadne auf Naxos (21/22)
      Video
    4. Chapter 4
      The Artistic Team
      Ariadne auf Naxos (21/22)
      Video
    5. Maria Ripoll's Commercial
      Ariadne auf Naxos (21/22)
      Video
    6. Trailer
      Ariadne auf Naxos (21/22)
      Video
    7. #LICEUNDER35
      Ariadne auf Naxos (21/22)
      Video
    8. Podcast #Liceunder35
      Ariadne auf Naxos (21/22)
      Video

    Abstract

    The distinguished director Katie Mitchell brings us her own take on Ariadne auf Naxos, a tale about the wealthiest man in Vienna who commissions a young composer to write a serious opera and then invites a troupe from the commedia dell’arte to come along as well. When both are instructed to perform together, the flirtatious Zerbinetta sets about convincing the tragic Ariadne that men are all the same, and indeed interchangeable. By thus juxtaposing fidelity and metamorphosis, the opera honours both Molière and Mozart with a result that is as impertinent as it is irresistible. Life leaves us no choice but to forget and move on.

    Pirandello's “theatre within a theatre” is an integral part of Ariadne. The disappointments of love and life are concealed beneath a veneer of humour and a multiplicity of feelings come into play. Eventually the two worlds collide, giving way to resignation: paradise, after all, is unattainable.

    Tags

    Opera
    Ariadne auf Naxos
    Strauss
    Season 21/22
    Katie Mitchell
    Josep Pons
    Elena Sancho Pereg
    Sara Blanch
    Miina-Liisa Värelä

    Unknown Issue - Code: Related

    Playbill
    Annals of the Liceu
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